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The problem here? What he’s just described is pretty much a beginner’s guide to Shintoism, just without the express categorisation and definition that religious belief demands. We approach the doctrines of Gaïa, “the nourishing earth”, according to which there does not exist difference between alive and not-alive, earth and animals.” We respect nature such as it is, and not such as it should be. There is no order to impose on the living beings. Me, and the biotopists whom I attend, let us consider that if this tree or this fish is at this place, it is necessary to let it live where it is. But as far as I am Japanese, I regard myself as a biotopist, a follower of the defence of nature and environment, like much of the people in Japan.
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“I will not say that my artistic step is animist or Shintoist. Commentators, critics, and academics may agree that the director’s work is developed from a deeply entrenched framework of Shinto belief, yet turn to the man himself and he’ll be quick to deny any personal attachment to the Japanese belief system. OK, so this is the least helpful way to open an article postulating on Miyazaki’s cinematic relationship with the spiritual, yet there’s no purpose served in stumbling onwards in blissful ignorance.
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“This movie has nothing to do with that or any other religion.” – Hayao Miyazaki (Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy) “Back then, man and trees were friends.” – Professor Kusakabe (My Neighbour Totoro)
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This article was originally published in 2014. The viewer is left with a sense of wonder at the beauty, mystery and preciousness of the world all around us.With Studio Ghibli films now available on Netflix UK, we delve into our archives to look back at what makes them so magical. The girls may be awed by the power and majesty around them but they understand instinctively that nature has no malice. Protected by the Totoros, we know no harm will come to our two heroines in the forest’s sunlit glades and mysterious shadows.
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Everything that surrounds us, from light-dappled tree groves, to the marvelous clouds, echoes the density and lusciousness of life. The film is infused with an almost spiritual reverence for the power of nature (a philosophy tied to the ancient Shinto belief that every object in nature has a soul). As with much of Miyazaki’s work, at its core My Neighbor Totoro is about human-kind’s relationship to the Earth. Based on Miyazaki’s own childhood imaginings, Totoros look like oversized pandas with bunny ears and they take the girls on spinning-top rides through the tree tops and introduce them to a furry, multi-pawed Catbus - a nod to Lewis Carroll’s Cheshire Cat.īut beneath the film’s playfulness and narrative simplicity lie depths of wisdom. They soon discover that the surrounding forests are home to a family of Totoros, gentle but powerful creatures who live in a huge and ancient camphor tree and are seen only by children. One of the most endearing and internationally renowned films of all time, a film that Roger Ebert called “one of the five best movies” ever made for children, My Neighbor Totoro is a deceptively simple tale of two girls, Satsuki and Mei, who move with their father to a new house in the countryside.